Squeaky Clean is a vital part of any detox program. It is best to drink at least 6 to 8 additional glasses of water throughout the day to facilitate healthy intestinal function.* Keep Squeaky Clean refrigerated after you open it. If minor bloating or gas occurs, try temporarily decreasing amount. Take 1-2 capsules with 8 oz of water or juice followed by an additional 8 oz glass of water, before bed and/or upon rising.‡ Capsules may also be opened and contents mixed with water or juice. Synergistic combination enhances efficacy of individual ingredients*.Optimum amounts of each ingredient for effective support*.Specific plant parts selected for demulcent, antioxidant, bulking and gentle peristalsis-stimulating properties*.

Wildcrafted or certified organic herbs harvested at peak potency*.Live probiotic replenishment with 3 key bacterial strains*.Proteolytic breakdown of debris, pathogens and inflammatory irritants*.Toxin absorption and evacuation coaction of bentonite and psyllium*.Multiple types and sizes of soluble and insoluble fiber for thorough surface cleansing, including brush border*.Focused fiber, protease, probiotic and herbal formula.Wilson to promote optimal intestinal health, function and regularity* Wedgwood regarded his jasper stoneware as his finest contribution to decorative arts.Comprehensive, gentle intestinal cleanser and detoxifier*įormulated by Dr. The clay body used in Somnus was a black basalt that was among Wedgwood’s innovations, another was a jasper, stained by metal oxides, in blue, green, lilac, and yellow. Highlights of the museum’s Wedgwood collection-the largest in the world outside England-include a figure of Somnus, god of sleep, made in about 1774. Its treasure trove of over nine thousand pieces of ceramic art is the result of two private collections with little overlap.

With an NEH grant to rehouse its ceramics collection, the Birmingham Museum of Art in Alabama is responding to a fortuitous synchronicity of its own. The fortuitous synchronicity was an unexpected boost for Wedgwood. The highly collectible Wedgwood ceramics we know today as English majolica came along, thanks to Josiah’s descendants, in the 1860s, just when architects began clamoring for decorative faience and the push was on for greater sanitation.

A potter named Josiah Wedgwood from Staffordshire had gone into business in 1759 in Burslem on the River Trent. The heart of the ceramics industry in England, though, was not London, and it got its start in the mid eighteenth century. In time, many buildings in London would be decorated with a dazzling ceramic that had a specialized glazing-majolica tiling, selected in part, for its sanitary value. Numerous ceramics and pottery manufactories in London engaged in heady competition to supply ceramic pipes to the city.

As a result, a new ceramics industry was spawned to ensure a durable underground sewer system. Safe treatment of sewage, the report asserted, would help eliminate cholera. In England in the mid nineteenth century, when cholera was widespread, reform-minded authorities in London read and believed the findings of the 1842 Report on the Sanitary Condition of the Labouring Population. The decorative arts owe a debt to municipal efforts for better sanitation.

Squeaky clean